Selasa, 25 Maret 2014

[J113.Ebook] Ebook Download Sustainism Is the New Modernism: A Cultural Manifesto for the Sustainist Era, by Michiel Schwarz, Joost Elffers

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Sustainism Is the New Modernism: A Cultural Manifesto for the Sustainist Era, by Michiel Schwarz, Joost Elffers

Michiel Schwarz and Joost Elffers' Sustainism Is the New Modernism declares the dawn of a new cultural era, as we transition from modernity to sustainity--towards a world that is more connected, more localist, more digital and more sustainable. As the authors of this clear-eyed manifesto argue, "sustainism marks a shift not only in thinking and doing but in collective perception--of how we live, do business, feed ourselves, design, travel and communicate, as much as how we deal with nature." In the twentieth century, whether we knew it or not, our world was shaped by modernist values, from the design of our cities to our homes, technologies and our conceptions of progress. Sustainism recasts our relationship to all of these things, binding ecological issues to a larger picture of our world. Through a series of graphically dynamic aphorisms, quotes and symbols designed for worldwide use by businesses, individuals and institutions, to signal support for sustainism, Michiel Schwarz and Joost Elffers show how the movement is already reshaping global culture, technology, food and media. With this concise manifesto, they launch the term sustainism into the public consciousness. The sustainist era has begun.
Michiel Schwarz is a Dutch independent cultural thinker, innovator and producer, now working from Berkeley, California. Originally trained as a sociologist of technology, he has initiated projects on global issues, the future of design, technology and media. His publications include The Technological Culture and Speed: Visions of an Accelerated Age. His latest book is Sustainist Design Guide: How sharing, localism, connectedness and proportionality are creating a new agenda for social design (with Diana Krabbendam, BIS Publishers, 2013).
Joost Elffers is a designer, "symbol maker" and creative producer of award-winning and innovative books such as 48 Laws of Power, Play With Your Food and Tangram: The Ancient Chinese Shapes Game.

  • Sales Rank: #1806339 in Books
  • Published on: 2010-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 7.25" w x 1.00" l, 1.76 pounds
  • Binding: Paperback
  • 240 pages

Review
Sustainism - It's Got a Name, Now Do It - The New York Times

Sustainism will drive the creativity of the twenty-first century. By connecting the issues of sustainability, social networks, localism, biomimicry, community, urban planning, food and a host of others, Michiel Schwarz and Joost Elffers offer a canvas on which we might paint the future of our society.
� � � � � � � � � � � � � � � � -- Tim Brown, CEO and President, IDEO

Here's the skinny. Modernism is dead, and design needs a new "ism" to define it. Whatever that "ism" turns out to be, it needs to be all of the following: ethically and environmentally responsible; socially and geographically inclusive; collaborative; networked; sensitive to nature; and savvy enough to make the most of: a) leaps in technology, and b) both globalism and localism.

Sounds sensible? Sure, if rather familiar. There have already been several attempts to categorize this new approach to design as "the new design," "sustainable design" and part of the cultural movements of "polymodernism," "supermodernism," "super-hybridity" and so on. A book to be published next month is proposing another new "ism" -- "Sustainism."

Written by the cultural theorist Michiel Schwarz and the designer Joost Elffers, "Sustainism Is the New Modernism" bills itself as a "cultural manifesto" that proposes "a new vocabulary and a symbolic language for a new era." The result is more like a branding exercise than a conventional book. It identifies the principle elements of Sustainism -- responsible, inclusive, collaborative plus all of the other virtues cited above -- and presents them as a brief statements and slogans illustrated by different typefaces and specially created graphic symbols. --Alice Rawsthorn, International Herald Tribune, January 9, 2011

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9 of 9 people found the following review helpful.
Amazing concept - lack of content.
By LinzF
I must have misunderstood the description of this book, it is not what I thought it would be. This book touches on a concept which I see in my everyday life being an interior designer. I was ecstatic to see someone had written a book coining the term "sustainism" but once I received this from amazon I was disappointed to realize the book only briefly touches on the subject and doesn't elaborate or come to any real conclusions. The amazon description does mention the book having graphic pages, but the entire book is filled with what I would call conceptual graphic images. I read the entire book in less than a hour, and was inspired by probably 10 pages of it.

2 of 2 people found the following review helpful.
A manifesto, but...
By Bofy
Sustainism is a manifesto, this means that the authors dont need to explain an document everything in the book. As a researcher in the field i have to say i was not unaware of any of the concepts discussed and i was surprised by how comprehensive the book was. Nothing was missing. I am not sure about how accessible the information would be for someone with little or no background in sustainability. Beautifully made and meaningful book but not an introduction book to sustainability.

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Minggu, 23 Maret 2014

[D301.Ebook] Ebook Free Helen The Life and Times of an H-Bomb, by Jerry Pinto

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Helen The Life and Times of an H-Bomb, by Jerry Pinto

This Book is Brand new international softcover edition delivered within 7-12 working days via UPS/USPS/DHL and FEDEX.(FOR SALE ONLY U.S. & U.K.)

  • Sales Rank: #2540019 in Books
  • Published on: 2006-01-01
  • Released on: 2011-05-24
  • Format: International Edition
  • Original language: English
  • Dimensions: 7.80" h x .63" w x 5.08" l, .44 pounds
  • Binding: Paperback
  • 256 pages

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Jumat, 21 Maret 2014

[I950.Ebook] Ebook '68 (Sixty-Eight) Vol. 2: Scars ('68 (Sixty-Eight): Scars), by Mark Kidwell

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'68 (Sixty-Eight) Vol. 2: Scars ('68 (Sixty-Eight): Scars), by Mark Kidwell

COLLECTS '68 SCARS ISSUES 1-4 and includes ONE SHOT release of '68 HARDSHIP:

THE GATES OF HELL ARE OPEN...AND THE DEAD WILL LEAVE THEIR MARK!

Continuing the epic story of the rise of the living dead in the 1960's, "'68 SCARS" picks up right where the original sold-out comics mini-series left off. From a blood bath atop the US Embassy in Saigon to the churning waters of the Mekong Delta, the surviving US forces fight for their lives against the malicious guerilla tactics of the Viet Cong and the endless surge of the cannibalistic dead. And within the enemy-surrounded perimeter of Saigon's TAN SON NHAT airport, the scars of war reveal themselves as a festering evil tightens its grip.

The war is over, but the battle for humanity's survival has just begun...and some wounds never heal.

Presenting an all-new, 178 page trade paperback collection of the ongoing "Zombies in Vietnam" comics series "'68," from creators Mark Kidwell, Nat Jones and Jay Fotos. This deluxe volume contains tons of specially selected extras from behind-the-scenes as well as the bonus award-winning '68 one-shot comic: '68 HARDSHIP with stunning artwork by Jeff Zornow.

  • Sales Rank: #1560423 in eBooks
  • Published on: 2013-03-27
  • Released on: 2013-03-27
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Vietnam/Zombie apocalypse!!!!
By Kevin Donaldson
If you are getting into the Zombie genre or have been following it since the beginning, this series is a must have. Vietnam/Zombie apocalypse!!!! Story line is tight and the graphics are about as good as you're ever going to find. Dig into this and enjoy....

0 of 0 people found the following review helpful.
Such a cool story!
By DannyM
This is the second arc in a compilation from my favorite series'68. Plus it has the Hardship one shot and a ton of extra goodies. I just got the first issue of the new arc called Jungle Jim. They friggen blow up an elephant right off the bat. This is the best comic book series out there. Vietnam War meets the Zombie Apocalypse. How can you argue that.

0 of 0 people found the following review helpful.
It is a great book to have and suggest people to read it ...
By Trent Perham
It is a great book to have and suggest people to read it cause I believe that it is just as good as the walking dead comics

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Rabu, 19 Maret 2014

[K977.Ebook] Get Free Ebook Choose Your Weapons, by Douglas Hurd

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Choose Your Weapons, by Douglas Hurd

When writing his magnificent life of Robert Peel, Douglas Hurd found himself caught up again in a debate that has always fascinated him - the argument between the noisy popular liberal interventionist approach and the more conservative diplomatic approach concentrating on co-operation between other nations. The argument has run for two centuries - and is at the heart of heated discussion on both sides of the Atlantic today.
Hurd concentrates on personalities and circumstances. He begins with the dramatic antagonism after Waterloo between Canning (liberal, populist, interventionist) and Castlereagh (institutions, compromise, real politics) - the last occasion on which ministerial colleagues fought a duel. A generation later comes Palmerston vs Aberdeen, from which Palmerston, the noisy interventionist, emerged the victor. Salisbury and then Edward Grey wrestled with the same dilemma in the context of imperialism (Salisbury) and the European balance of power (Grey). Finally Eden and Bevin, from wholly different backgrounds, combined with the Americans to create a post-war compromise, which served its purpose for half a century, but is coming apart today as the old questions resurface in new and savage forms in an era of terrorism and racial conflict.

  • Sales Rank: #3014020 in Books
  • Published on: 2011-04-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.25" w x 5.40" l, 1.10 pounds
  • Binding: Paperback
  • 448 pages

Review
One of the great achievements of this thoughtful and elegant book is to emphasise the thread of continuity running through British foreign policy from the age of Napoleon to the cold war... a book of great authority and insight―SUNDAY TIMES

An entertaining book, enriched by the insights of an experienced practitioner―ECONOMIST

Douglas Hurd has done the impossible...he has produced a page-turning book about the history of British foreign policy―INDEPENDENT

Highly readable... Any future foreign secretary would be well advised to read this engrossing book on their first day in office―Jack Straw, OBSERVER

Hurd elegantly profiles eleven British foreign secretaries...Written with a lightness of touch despite its serious message, one only hopes David Miliband buys a copy―GQ

About the Author
Douglas Hurd was an MP from 1974 to 1997, he served as Secretary of State for Northern Ireland, Home Secretary and Foreign Secretary. He is the (co-)author of many thrillers, his MEMOIRS and the highly acclaimed ROBERT PEEL.

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0 of 0 people found the following review helpful.
peer-review of how predecessors addressed this challenge has the great advantage of being an “inside-job
By anupamifs
This book is about what Foreign Ministers – the British prefer to call them Foreign Secretaries – do. British politicians have an unusual tradition of writing biographies of each other. Unusual because the preference of those involved in the process of ruling has been, and continues to be, to transact their business in as opaque a manner as possible.

The subjects of his study are 11 Foreign Secretaries beginning with Canning, in 1807, and ending with Anthony Eden, Foreign Secretary during much of World War II, and later in Churchills’s post-War government until he succeeded Churchill as PM in1955. It starts with Napoleon threatening England, runs through Britain’s ascent to sole superpower status in the 19th century, its decline and the World Wars in the 20th century, and its relegation to major power statuss. He does not explore the reasons for Britain’s stunning rise, and does not give reasons for its fall. Instead he focuses on how Britain’s top diplomats, practiced their statecraft at critical inflection points during this period.

All were exceptionally capable men. All, except Bevin, were highly–educated members of a very able aristocratic class. All wanted to be Foreign Secretaries at a time when the Foreign Secretary had the second most important job, and sometimes the most important job, in what was then the most important country in the world. For Disraeli, foreign policy was real politics; it was played out on the big stage, with a huge audience for the talented performer.” The “business of passing laws or guiding the budget were prosaic duties” for which Disraeli appointed “dull, competent” “middle class-worthies to handle.”

Mr. Hurd’s exercise of comparison is made easier by the longevity of diplomatic problems. The question of peace in Europe was the major issue that all these men had to tackle. Peace was first threatened by the ambitions of France, then by Germany, and lastly by Russia. Other events of historical importance such as the Industrial Revolution, imperialism and the colonies, such as India, find mention as peripheral or subordinate concerns.

Mr. Hurd’s unflinchingly honest, and sometimes scorching, peer-review of how predecessors addressed this challenge has the great advantage of being an “inside-job.” We obtain a vista of what the world looks like when one is Foreign Secretary. That by itself is not exceptional. A continuously growing body of diplomatic literature, including by a succession of US Secretaries of State, is available on the subject. What is different about this book is the attempt by Mr. Hurd to distill the essentials of statecraft to binary options – should a problem be tackled or ignored; to appease or to impose: to intervene with force or not; to act alone or with allies. If these are the weapons at the Foreign Secretaries disposal, then the selection of weapon is governed by another set of other binary choices: should one aim for stability or the promise of a better tomorrow? Should one lead public opinion or be a slave to it? Should the problem be tackled secretly or in the full glare of publicity? Why go through the effort of attempting substantial change when someone like Lloyd George “could display his charm and prowess and gain a fortnight’s prestige.”

How did the Foreign Secretaries make these choices? Some operated on the basis of reason. Others did so on the basis of emotion or ideology. Canning felt strongly that Britain had to be guided by principle and that Britain had a responsibility to propel liberty and national self-determination (with the notable exception of India!) more rapidly down their historical trajectory. Interventions should only be to strengthen liberty. Castlereagh and Grey felt differently as did Aberdeen. Palmerston was flamboyantly Canning-esque.

Mr. Hurd also demonstrates that there is much greater continuity than change in the practice of diplomacy. Methods have not changed much over two centuries. Diplomacy is still a personality-driven rather than system driven exercise. Truly great Foreign Secretaries, and one gets the feeling that only Salisbury and Castlereagh win Mr. Hurd’s approbation, differ from the rest in understanding the limits of both emotion and reason in choosing their weapons. They adapted to the situation and were adept at switching weapons when required. This allowed them to dominate events rather than be dominated by them. Foreign Secretaries who were not flexible invariably led England to war as in the case of Grey before World War I and Palmerston in Crimea. Castlereagh, on the other hand, created the concept of collective security, embodied in the outcomes of the Congress of Vienna, because he was pragmatic in his beliefs. The League of Nations and the United Nations owe their existence to his genius. Salisbury worked with Bismarck to ensure the longest peace in Europe. Salisbury and Castlereagh also had unusual force of personality. Wars, which many consider the ultimate foreign policy tool, are only punctuation marks in their strategies. They also proved adept at exploiting both liberal and conservative nostrums in accordance with the demands of the situation.

Mr Hurd is forgiving of Foreign Secretaries who were overcome by the situation instead of their best efforts. He is most scathing in his criticism of those, like Lloyd George, who chose “language fixes” and paper over intractable differences. Ultimately, diplomacy must reflect the fundamentals of the nation, as the last sad chapter on Bevan and Eden struggling to cope with Britain’s reduced circumstances after World War II describes. No amount of rhetoric or grandstanding can alter this fundamental reality. Mr. Hurd does not discuss whether Foreign Secretaries can learn the art of correctly assessing these fundamentals but does say that an appreciation and knowledge of history does seem to help.

There is a caveat that practitioners need to pay attention to. This book is about the foreign policy of a “satisfied” power that was interested largely in maintaining its possessions and status. The relevance of this to emerging powers, who occupy prominent positions in todays diplomatic systems, is academic.

Other than the creation of the concept of collective security, Mr. Hurd mentions two major changes in the practice of diplomacy over two centuries. The first is the growth of a professional diplomatic service. Castlereagh only had clerks. A hundred years later, Grey and Chamberlain had to contend with powerful Permanent Secretaries. The other is the growth of public interest in diplomacy . The term “public opinion” which today’s public diplomacy attempts to address, was courted first by Canning but seen as a double-edged sword by the likes of Salisbury.

The book abounds with anecdotes that flesh out the remarkable characters of a group of highly intelligent and accomplished men. From Sir Edward Grey’s devoting as much time to gardening as to the affairs of state; Austen Chamberlain’s fixation on winning paternal approval; Disraeli’s outrageous vanity and his equally outrageous flattery of Queen Victoria; and, Prince Albert interrupting Lord Palmerston’s attempts to seduce Royal ladies in waiting; and Bevin’s bad table manners; Mr. Hurd skillfully brings them all to life.

The high ground of strategic literature is occupied by Kissinger. This is a book, that in its scope and sweep, rivals Kissinger and deserves to be atleast as influential.

0 of 0 people found the following review helpful.
great book poor delievery
By Amazon Customer
The book itself is superb, beautifully written and factually correct, but I was very disappointed by how long it took for the book to arrive, about a month!! so I will not be buying from that vendor again.

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Rabu, 05 Maret 2014

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New copy. Fast shipping. Will be shipped from US.

  • Published on: 1709
  • Binding: Hardcover

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Sabtu, 01 Maret 2014

[Q277.Ebook] PDF Download The Skeletal System Anatomical Chart, by Anatomical Chart Company

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The Skeletal System Anatomical Chart, by Anatomical Chart Company

Classic illustrations by Peter Bachin. Shows anterior, lateral and posterior views of the skeletal system. Also illustrates portion of long bone, auditory ossicles, ligaments of the right hand (dorsal and palmar views), ligaments of the right foot (dorsal and plantar view) and the right knee joint (anterior and posterior views).

  • Sales Rank: #52938 in Books
  • Size: (20x26) Double-side Lamination
  • Brand: Anatomical Chart Company
  • Model: 9781587790621
  • Published on: 2000-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 26.00" h x 20.00" w x .50" l, .20 pounds
  • Binding: Poster
  • 1 pages
Features
  • Plastic laminate, 20" x 26" offers flexibility, durability and attractive appearance for medical professionals, patients, students and other specialists.

About the Author

Frank H. Netter was born in New York City in 1906. He studied art at the Art Students League and the National Academy of Design before entering medical school at New York University, where he received his Doctor of Medicine degree in 1931. During his student years, Dr. Netter’s notebook sketches attracted the attention of the medical faculty and other physicians, allowing him to augment his income by illustrating articles and textbooks. He continued illustrating as a sideline after establishing a surgical practice in 1933, but he ultimately opted to give up his practice in favor of a full-time commitment to art. After service in the United States Army during World War II, Dr. Netter began his long collaboration with the CIBA Pharmaceutical Company (now Novartis Pharmaceuticals). This 45-year partnership resulted in the production of the extraordinary collection of medical art so familiar to physicians and other medical professionals worldwide. Icon Learning Systems acquired the Netter Collection in July 2000 and continued to update Dr. Netter’s original paintings and to add newly commissioned paintings by artists trained in the style of Dr. Netter. In 2005, Elsevier Inc. purchased the Netter Collection and all publications from Icon Learning Systems. There are now over 50 publications featuring the art of Dr. Netter available through Elsevier Inc.

Dr. Netter’s works are among the finest examples of the use of illustration in the teaching of medical concepts. The 13-book Netter Collection of Medical Illustrations, which includes the greater part of the more than 20,000 paintings created by Dr. Netter, became and remains one of the most famous medical works ever published. The Netter Atlas of Human Anatomy, first published in 1989, presents the anatomic paintings from the Netter Collection. Now translated into 16 languages, it is the anatomy atlas of choice among medical and health professions students the world over.

The Netter illustrations are appreciated not only for their aesthetic qualities, but, more importantly, for their intellectual content. As Dr. Netter wrote in 1949 “clarification of a subject is the aim and goal of illustration. No matter how beautifully painted, how delicately and subtly rendered a subject may be, it is of little value as a medical illustration if it does not serve to make clear some medical point.” Dr. Netter’s planning, conception, point of view, and approach are what inform his paintings and what make them so intellectually valuable.

Frank H. Netter, MD, physician and artist, died in 1991.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Recommend
By LovelyNutty31
Great image quality! I highly recommend this for students in college! Comes in handy for anatomy and physiology class! It is also serves a great purpose for decorating a clinic office or for your bedroom if you like.

3 of 3 people found the following review helpful.
Horrible condition on arrival
By Jay
Amazon advised me that this poster would be late. This was not an issue and rarely is as long as I know in advance. Poster did not come in a protective cardboard cylinder as all other posters have. The box was dented and the poster has a hard wrinkled crease in the middle. It does not want to lay flat even after laying weight on it for a couple days due to the crease. Not worth sending it back, it was a present for a student that just started anatomy. Next time I will go local to ensure good quality and proper transport.

5 of 5 people found the following review helpful.
Great studying material
By Ji Sung Moon
I love everything about this poster. First off, I am currently studying to be a orthopedic surgeon and the skeletal system that are illustrated in this poster is accurate. However, if I can change one thing about this poster, it would be the illustration of ulna and the radius. Otherwise, everything else looks fantastic, worth the money. I recommend it if you are studying to be a doctor!

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